Oil Pastel for the Serious Beginner: Basic Lessons in Becoming a Good Painter, by John Elliot

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Oil Pastel for the Serious Beginner: Basic Lessons in Becoming a Good Painter, by John Elliot

Oil Pastel for the Serious Beginner: Basic Lessons in Becoming a Good Painter, by John Elliot


Oil Pastel for the Serious Beginner: Basic Lessons in Becoming a Good Painter, by John Elliot


Get Free Ebook Oil Pastel for the Serious Beginner: Basic Lessons in Becoming a Good Painter, by John Elliot

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Oil Pastel for the Serious Beginner: Basic Lessons in Becoming a Good Painter, by John Elliot

Oil pastels offer artists a virtually unlimited treasury of creative potential. They’re also considered a safe alternative to soft pastels. Oil Pastel for the Serious Beginner shows both new and veteran artists how to make the most of this fabulous medium.Lessons progress simply and clearly from easy subjects and techniques to the more difficult and complex. First, artists learn how to use oil pastels to create traditional paintings in still life, landscape, and portraiture. Then, they’ll discover 12 experimental techniques that push the medium of oil pastel to its limits—including impasto, etching, washes, and monoprint; stencil and screen techniques; and even methods for combining oil pastel with soft pastel and mixed media.Whether one is an an amateur artist or experienced veteran, Oil Pastel for the Serious Beginner is the ideal one-stop source for mastering this popular medium.

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Product details

Series: Serious Beginner

Paperback: 144 pages

Publisher: Watson-Guptill (October 2002)

Language: English

ISBN-10: 0823033112

ISBN-13: 978-0823033119

Product Dimensions:

7 x 0.5 x 10 inches

Shipping Weight: 15.5 ounces

Average Customer Review:

3.7 out of 5 stars

46 customer reviews

Amazon Best Sellers Rank:

#832,819 in Books (See Top 100 in Books)

I almost never write a review of a product I don't like and art books very rarely fit into that category. The content of this book is, for the most part, not bad, though the author dwells far too long on simply showing his own work, with no detailed focus on the underlying principles and techniques used to produce oil pastel paintings. The book is mostly comprised of example after example of the author's own paintings, with descriptions of visual elements and explanations of his aesthetic choices. There is a nice section at the beginning of the book about materials. There is a little section about warming up and learning practice strokes which can be helpful. The author spends a lot of time on mixed-media techniques later in the text, but I'm not a fan of mixed-media and, besides, the explanations and examples of these seem far too rudimentary to be of any real use.I will mention, too, that the softcover edition that I purchased looks very much like a print-on-demand or self-published title. The paper is not gloss or semi-gloss; it is as matte and absorbent as any sheet of common copy paper, only a little more durable. The pictures of the author's work vary greatly in quality throughout the book, ranging from positively "worn-out office color copier" grade to sort of acceptable. Some of the images are pretty grainy and some are just washed out, but none that I can tell are sharp and saturated (as you will find in most other art instruction books). Even Daniel E. Greene's "Pastel - A Comprehensive Guide to Pastel Painting," which is quite an old title, includes terrific high-gloss, saturated reproductions as 'plates' among its more numerous black and white images.It is very dissapointing that this book is not very useful, or even enjoyable to thumb through (as so many art instruction books are). The main reason for this dissapointment is that there are very few books to be had about oil pastel technique and theory. What is needed is an oil pastel instruction book with the same quality standards and inspirational attention to detail that is found in works about soft pastels by, say, Bill Creevy, Daniel E. Greene, Ellen Eagle, Allen Flattmann, Albert Handell, and many others.

The two stars are for the few pages on tools and technique. The rest is little more than a gallery of the artists’ work. The paper is low quality rendering the paintings lifeless. Save your money.

This book has helped more than any other with the issues I had been having with my oil pastel techniques.

An honest and excellent book for both beginner and professional artists alike! I have gone back to this book several times as a reference for my art work over time. If you are looking for a book which will tell you what you will need to start out with oil pastels (and what is safe based on where you do your art work), the Oil Pastel for the Serious Beginner book will most certainly help you out!

I found the book helpful in offering a variety of techniques for oil pastels. Some of the step-by-step construction of sample works were difficult to follow as the photographs were not as "in sync" as I needed in order to accurately understand what had been done in each step. However, I feel I have a basic understanding of the medium in order to begin using it with some confidence.

The author is a pioneer and talented artist in oil pastel.He gives very valuable info about this medium--a long forgotten and underrated, even though promoted by Pablo Picasso...The book ,however, is 'sketchy' in details and techniques.The illustrations and art work are excellent, but somewhat repetitive...A good introductory book for enthusiasts of oil pastels and beginners, till a better book is written by someone else---after this medium becomes better used and established in the fine art world.Soft pastels have been with us for many decades, thanks to Degas and Mary Cassatt...Oil pastels are still to be pushed by great masters....Fortunately oil pastels are available at various price ranges for students and professionals...One learns more by trying different brands rather that sticking to just a few brands---Holbein or Sennelier...With increasing concern for toxic dust particles from Soft pastels, oil pastels would be more widely used and this book would serve the newcomers well.

This book is printed on matt paper that does not show the paintings well at all. For this type of book, the work samples are crucial and it doesn't deliver.

Bought this to get me back into painting. Beautifully illustrated and great self teaching tool.

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